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Shangmei furniture will take you to analyze the design aesthetics and cultural heritage of the "cabinet" in different scenarios!
Speaking of home, we often think of beds, chairs, and chairs at rest, and tables and tables at display, but cabinets hidden behind and used for storage rarely fall into people's eyes.
But I really need to count down, from the bronze bans in the Warring States period, the paint lacquer in the Han dynasty to the storage in the Tang and Song Dynasties, from the cabinets, cupboards, prices and boxes, from the clothing for the four seasons, the Tibetan calligraphy and painting books, to the storage of grain and food cabinets With the wood close to nature, it has built a subtle place for the Chinese people, but there is no other place.
A house, a bed, a courtyard, table cabinet ordered, with flowers Yi, this picture is a lot of people live in a state ideal.
But to keep the house tidy and orderly, without losing its beauty because of the mess, it is definitely the cabinet.
As a large category of furniture, cabinets belong to the cabinet-frame furniture used for storage, the open and ventilated are grids, and the closed panels are cabinets. There are many forms, which can be roughly divided into: bright cabinet, round corner cabinet, square corner cabinet, cabinet.
The internal structure of the cabinet is eclectic and random. In the selection of materials, the roots are suitable for use together, taking advantage of each other to make up for each other.
People often ask: why not just ask for a practical cabinet, why should you be elegant?
Unlike the Western system of judging "beauty", in the context of the East, what we seek is more "elegance", which speaks about charm, spirit and spirit, and the extension of preaching and human interaction.
The elegance of the cabinet is based on the body; the realm of the unity of heaven and man is used as the rule, and personal preference is the temperament, and the posture is varied. What is required is simplicity, beauty, or openness. It is not only about function, but also the interpretation of life, the definition of taste, and the emotional connection with the years.
Today, Shangmeijia will come and analyze the design aesthetics and cultural connotation of "cabinet" in different scenes with you.
To give an example that best represents the advanced world of Ming-style cabinet furniture, it must be a rounded corner cabinet.
It is commonly known as "noodle cabinet", which looks narrow and wide at the top, with an "A" shape, so it is called "A-type cabinet" in English, and the southern artisans speak more popularly, called "big and small head", the bottom is large and the small, It is recognized as one of the most delicate and beautiful designs of traditional Chinese furniture.
The rounded corner cabinets are rich in lightness, relying on the crispness of the lines and the symmetry of the proportions of the shelves, highlighting the simple beauty of the lines and surfaces of the Ming-style furniture.
In particular, seeing each other and facing each other, the natural patterns are smooth and natural, which is a great love for collectors.
This is the case with the rounded corner cabinets, which are made of selected Huanghuali wood, the wood grain is bright and changeable, and the wood color is light and elegant, and the cabinet door is made of a whole board, one wood is split, the texture is symmetrical and stretched, The selection of materials is extremely precise.
Under the four-foot self-spraying surface of the cabinet cap, the side legs are slightly displayed. This down-to-up design makes this cabinet combine exquisite elegance with the advantages of balance and stability.
The door shafts are extended at the upper and lower ends of the cabinet door, and they are inserted into the sockets on the upper and lower sides of the cabinet body frame.
The lower part is provided with a two-drawer base, which is in harmony with the cabinet body. There are two drawers and a bottom drawer board. The structure is rigorous and practical. The round legs are straight and stable.
The door is inlaid with long side pages, the tag is exquisite and small, with wood grain, and the whole is harmonious and generous. The cabinet has high legs and no carvings on the tooth plate. It is simple, elegant and beautiful.
The overall work is not complicated, the cabinet shape is tall and upright, which fully shows the simplicity and elegance of the Ming-style furniture, and it is a little steady in the elegant, suitable for storage and use.
The ancients were very careful about the layout and furnishings of the second house, and the furniture and the ancients were day and night companions. It is the epitome of people's lifestyle, and it is necessary to choose a suitable one.
The bedroom is a place to rest and recuperate, warm and quiet is the most important, so the furnishings should not be complicated, the decoration should not be fancy, the colors should be elegant and not gorgeous, otherwise it is like a boudoir flower house.
It is also from Wen's point of view: "Clean Yasuo in the room is like a boudoir in a beautiful place, and it is also suitable for non-secular people to sleep in clouds and dreams. "
In general, not only the living room needs to be spacious, but also the furnishings should be advertised rather than excessive. Tables, chairs and stools should be laid out. The furnishings in several cases should not be too many, making people feel comfortable, elegant and clean. Quiet and clear.
This also made the ancients choose rounded corner cabinets and put them in the bedroom where they need to be alone or secret.
The light-colored panel and toothed strips bring a refreshing and neat visual effect. With a two-drawer base, the size is large, but it looks lighter and more sleek. A flash of inspiration.
The rounded corner cabinets are placed in between, blending with other furniture, belonging to each other, and appearing to be harmonious in a specific environment.
Take a holistic view and feel comfortable; the so-called ingenuity lies in the "just right".
In the bedroom where the body and mind are relaxed, unload the complex feelings and enjoy the ease of harmony and effortlessness.
In the Chinese language world, the concept of everything is quite clear.
The bright grid cabinet, as its name suggests, is a combination of "grid" and "cabinet", which integrates storage and display functions, and is a very classic Ming style furniture.
The common form is that the shelf is on the top and the cabinet is on the bottom. The person with the shoulders is a little taller, and the utensils are placed in the middle for easy viewing, or "bright lattice" .
And under the cabinet, you can store items, focus on the bottom, add stability, and achieve a stable and elegant artistic effect.
In order to achieve such Wen Zhenheng said the "no ancient Ning, the Ning Park no coincidence, rather frugal without vulgar, as the emptying of elegant wonderland." Literati in the design of more importance to the natural beauty of texture and color of wood, In order to combine rigidity and softness, it is extremely modest, while Tao is neutral.
In this case, the Liangge cabinet is made of Huanghuali, and it is very rare. The overall construction method is very typical. The cabinet is square in size and orderly.
The back is installed with a double layer on the upper grid, and the front and sides of each layer are equipped with a circle. A circle of sun line rises from the edge of the circle; compared with the full open grid, it increases the overall stability, and the wood color itself can also set off Outlier items.
The cabinet below has double doors, with long leaves and hinges, blades and bars between the legs, and the texture of the whole body of Huanghuali is vivid and smooth.
On the two floors of the transparent Shulang bright grid, you can place rare books, scrolls of paintings and calligraphy, and ornaments. The lower cabinet can hold pens, inks and personal items.
Mr. Lin Yutang said that every Chinese is a Taoist when he is alone and a Confucian when he is a group.
It is the constant pursuit of the literati to enjoy the history of love letters, tea making music, lying listening to wind and rain, and singing with friends in the study room.
The literati strives for excellence in the study of the study room. In addition to practicality, they should also pay attention to elegant taste, elegant enough to show their own style.
The so-called "Zhai Pavilion has the ambition of a quiet person" is precisely the union between utensils and scenery, rendering a truly relaxed and free literary popularity.
This is the case with the Liangge bookcase. It does not win with the voluminous floral decoration. It is a good workmanship. It has the taste of Mrs. Guo Guo's "smoothing the eyebrows towards the supreme" and winning with a simple face. Huanghuali itself is like a splash of ink. Be more elegant than the extravagance.
It can be said that the ratio of the grid to the cabinet is good at making trade-offs. The extra realm is too much, and the extra realm is too little, so people can't help but sigh for it.
This bookcase is made of Xiangfei bamboo, with ethereal and translucent as its basic style. The bamboo muscle is yellow and bright, with fingerprint-like brown patterns, spots, and thick and shiny.
The upper shelf of the bookcase is divided into two layers of bright compartments, the lower compartment is the cabinet body, and the cabinet door is a hard extruded door. The cabinet surface and the back panel of the bright compartment are all connected with short materials to form ice fringe lattices, which are sparse and transparent, and add emptiness. meaning. Between the cabinet door and the bright grid, there is a pair of drawers with an aquarium-type pull ring.
The bookcase is light and translucent overall, and the shape is neat and tidy with the unique color of Xiangfei Bamboo. It is extremely slim and appears in pairs. It is very rare. It is placed on the side of the study room.
It not only reflects the simplicity and beauty of Ming-style furniture, but also has a practical concept. Porcelain treasures on display, ancient books and documents underneath, is a beautiful and practical furniture.
The Confucian subtle show, the Taoist world is natural, the Fa's well-mannered, the Mo's ingenious tenon and mortise ... condensed into a straight or curved line on the traditional furniture, or there is the Wu Daozi Wu with the wind as the wind , Or the conflict of Wang Xizhi's "Fengshen Gai Dai".
Pitch and pitch, so that the virtual room has more leisure and leisure. Placed in the study room, the scenery blends together, only then the Xuan window listens to banana rain, and the smell of turning over the book in the cabinet.
The change of furniture history is also a silhouette of the change of times.
When the historical rings turned to the prosperous age of the Kang and Qian dynasties in the Qing Dynasty, the aesthetic tendency of "good elegance" and "good ancient times" during the Taiping period also caused the collection of aristocratic merchants, as well as literati and ordinary people.
At this time, the Bogu cabinet came into being.
Bogu cabinets, also known as multi-baoge, Baibaoge or Boguge, are a kind of wooden shelf-like woodware with many small cabinets of different styles. Various antique treasures are displayed in the grid, which is the first choice for cabinets in the study room. , Is also considered to be one of the most rich Qing style furniture.
Its subtlety is that the design is staggered and the form is changeable, and it is good at cleverly using the limited space for display, breaking the pattern of extremely regularity such as horizontal and vertical coherence, thus opening up a new artistic conception.
This device is made of small leaf red sandalwood. The back, shelf, and drawer are all made of red sandalwood material. It is very rare. The materials are carefully selected. The Venus is full of fur, with beautiful texture and ancient charm.
In this case, the Bogu cabinet combines the Duobao Pavilion and the bookcase into one, and the upper part can display the bones of the Dongwen play, as well as the Tibetan books.
The upper part is composed of open and bright grids, which are scattered and well-decorated.
On the middle side, there are small double-doors, horizontally extended round carved faucets, and on the other side, a circular carving is opened, and a drawer is clamped in the middle, and then two drawers are placed horizontally. The panels are all carved with landscape characters.
The lower cabinet door is open, the door panel is embossed with Bogu patterns, painted with ancient utensils, decorated with flowers and fruits, the brushwork is exquisite and delicate, the level is smooth, and it is quite ancient. The whole body is decorated with copper chisel hinges, face leaves, button heads and tags.
Whether it is from the selection of materials or from the point of view of craftsmanship, they are very elegant. They are exquisitely carved, rich in literati elegance, regular in shape, and at the same time have many complicated and gorgeous artistic effects. They have great collection and artistic value.
Bogu cabinet's powerful display value makes it an important part of the house owner's sharing of collections, display of culture and knowledge, and it is often placed in meeting rooms such as halls and study rooms.
Especially in the halls where guests and friends, preschool education and festive events are met, furniture that can withstand the scene is needed. The so-called king of the earth covered the tiger, the living room of Baibao Town, and the position of the Bogu shelf in the living room or the study, perhaps this is the case.
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