Chinese furniture design talents lack industrial upgrading and look forward to originality
The furniture industry has a long history in China. It can be said that she is one of the traditional industries with Chinese characteristics like the silk textile and porcelain firing industries. As a professor of Sika International Design School, the tradition of the intangible cultural heritage Furniture master Mr. Wang Xiulin is a typical representative of this traditional industry. The ancient furniture in China, especially the furniture works in the Ming and Qing Dynasties, has always enjoyed a high reputation in the world. However, after the reform and opening up, with the deepening of the internationalization process, this industry with excellent traditions in China is gradually being eroded by plagiarism. Domestic furniture manufacturers are keen to plagiarize foreign works and are satisfied with the benefits of low-cost production. There has been a saying in the industry: furniture design looks at Milan, Chinese design looks at Guangdong, and Guangdong design looks at foreign countries. In some large-scale international furniture fairs, the practice of refusing to receive Chinese audiences to prevent plagiarism has been frequently reported. Cases of domestic furniture infringement of intellectual property rights due to plagiarism of foreign design defenders have also occurred from time to time.
Various facts remind us that domestic furniture companies urgently need to shift from processing to design. At the same time, he revived from the paralysis of "plagiarism of foreign design was sued" to "plagiarism of peer design obstruction". Domestic furniture companies should also have a more sober understanding: as a fashion consumption, furniture is no longer limited to price competition, it has risen to the high end of the industrial chain, that is, competition based on brand and design. As an asset, original design can not only help furniture companies to maximize profits, but also make an important foundation for the company's products from "brand" to "famous brand."
At present, there is only one professional furniture designer for every 10 furniture enterprises in our country. More than 60% of furniture enterprises are in short supply of R & D, design, modeling and other design talents. There are very few real professional furniture design educational institutions. And abroad, especially Milan, Paris, Stockholm and other cities, furniture designers have long been synonymous with fashion and high-paying occupations. When the domestic needs of furniture designers have just been recognized, foreign countries have already gone through a hundred years of vocational education in furniture design.
In fact, the bottleneck of the industry is the lack of talent supply, and the lack of talent supply requires education institutions with profound industry knowledge to solve. In fact, the cultivation of furniture talents has long been not limited to design colleges. Moreover, there is still a serious problem of the separation of theory and practice in China's higher design education. It cannot be quickly transformed into creative productivity. Sika International Design School, as one of the few educational institutions in China that cultivates original furniture design talents, on the basis of a profound understanding of domestic and foreign industries, proposed the Sika design talent education model in the international perspective. Sika International School not only gathers the best teachers in the industry, but also has many well-known domestic and foreign furniture design masters teaching in the school. Sika International Design School also has a domestic advanced furniture practice workshop, where students can quickly transform their ideas For the product, and in the process of practice, a profound appreciation and understanding of the combination of structure, material and the above elements with original ideas. The learning model of the studio project system is conducive to cultivating students' full range of original design capabilities. The talent training model of thinking and action is more suitable for the demand for creative talents in China's furniture industry.
Sika International Design School has always stood at the height of the industry for the cultivation of China's furniture design talents, thinking about issues with an international perspective. The industry's new students and the return of the original spirit of the century need such efforts and persistence. I believe that China's original furniture brands will appear more and more on the international stage, and the profession of furniture designer will also receive more and more attention in China.
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